Helping Writers Revise

5 Ways to Know Your Novel is Finished

revision May 7th, 2008

When is your novel finished and ready to send out into the world?

Your words are never set in stone until the novel goes to press. Up until then, it’s a decision only you can make, but here are some points at which others send out a mss.

  • When the characters start to bore you, or you start talking to them instead of your friends.
  • When you’re sick of every single word on the page.
  • When your deadline appears and your editor can’t delay it any longer (Too easy of an answer!)
  • When every critique group to which you belong agrees that it’s ready (like THAT will ever happen).

  • When you’ve done your level best, your creative best, your editorial best, your literary best, and you can’t think of anything else to do. And if you try anything else, you’ll just be tinkering and possibly messing up. Then — let it go.

As Always, It’s Easy to Stay Connected

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400 Fun

revision May 2nd, 2008

Last week, marked the 400th posting and one-year mark for the Revision Notes blog.

To celebrate, watch for these “400″ postings this week

400 Fun

400 Pennies Watch how several cars react when 2 teenagers drop 400 pennies in the middle of the road, and hold up traffic until every last penny is accounted for.

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400 Online Research Tools

revision May 1st, 2008

Last week, marked the 400th posting and one-year mark for the Revision Notes blog.

To celebrate, watch for these “400″ postings this week

400 Online Research Tools (Well, OK, just 4)

  • Historical Research. Need to know what happened 400 years ago in 1608? Wikipedia.com is a great place to START. Yes, Wikipedia is a collaboratively edited compiliation of pages, and not a peer-edited resource. But it’s still a great starting point. Check out the reference links at the bottom of the page, which usually include more scholarly items.
  • Economic research. Relocating 400 miles away and want to know if the salary offer is worth the move? Check out this Relocation Calculator. For many more Cost of Living resource calculators, look at the University of Michigan Library list of statistical resources on the web.

    Or, try this Inflation Index calculator.

  • Name research. Popular baby names by date from the Social Security Administration.
  • Literary research. Rhyming words for four hundred. Find end rhymes, last syllable rhymes, or first syllable rhymes. Or, look up famous quotes at Bartleby.com.
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400 Words Exactly

revision April 30th, 2008

Last week, marked the 400th posting and one-year mark for the Revision Notes blog.

To celebrate, watch for these “400″ postings this week

400 Words Exactly

Here’s your 400 challenge: Writing a long sentence, in fact, a sentence that is exactly 400 words long. Here’s my offering.

As a self-taught writer who has taken the long, winding road towards writing and literary efforts, I was slow to learn about writing long sentences, both how to do so and why one might want to do so, but finally was enlightened by three articulate authors and their books: Ursula LeGuin, the respected science fiction and fantasy writer, author of The Left Hand of Darkness, and the popular children’s series, Wizard of the Earthsea, encourages long sentences in her how-to book on writing, Steering the Craft, by quoting a 354-word sentence from Mark Twain’s Huckleberry Finn, which takes the long, slow route – LeGuin calls it the “marvelously supple connections of complex syntax” – to describing the details of a sunrise over the Mississippi River, including the sights, sounds, and smells of the unfolding morning; the second book which is less artistic, but perhaps more helpful to me personally was Ann Longknife, Ph.D and K.D. Sullivan’s book, The Art of Styling Sentences: 20 Patterns for Success – look for the second edition published in 2002 – which I studied with a writing friend, KN, and found to be extremely helpful in reviewing colons, semi-colons, appostives, etc, especially as KN and I posted to mutual mailing lists and encourage each other to use the patterns correctly and creatively and learned that control of language was essential to make the words mean what you want it to mean ( in fact, I found this book to be so useful, that I required it as a text when I taught Freshman Composition); and third, was Dona Hickey’s wondeful book, Developing a Written Voice, a virtual gem of a book – it’s not for the faint-hearted, because it reads like a college text book, but it’s a gem, nonetheless – which encourages the exploration of both long and short sentences, including sentence fragments, while Hickey also gives the writer a range of options for creating coherence and cohesion among the various parts of the sentence, including traditional rhetorical strategies such as schemes (unusual patterns of words) : schemes of balance, such as parallel structures, antithesis and the isocolon; schemes of unusual or inverted word order, such as anastrophe and parenthesis; schemes of omission, such as ellipsis, asyndeton or polysyndeton; schemes of repetition, such as alliteration, polyptoton, assonance, anaphora, epistrophe, epanalepsis, anadiplosis, tricolon, chiasmus, and of course, long lists – all useful tools to create long sentences and keep them understandable. Writing long is fun. Really. Try it.

(OK, Oh, Queens of Grammar, let me have it!)

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400 Comments

revision April 29th, 2008

Last week, marked the 400th posting and one-year mark for the Revision Notes blog.

To celebrate, watch for these “400″ postings this week

Please Comment

Help me celebrate by leaving a comment–I’m hoping for 4, 40 or 400 comments!
Encourage your friends to leave a comment, too!
(LiveJournal Friends–You must come to my website to leave a comment. Comments on a Friends’ page will stay on that page and I won’t see it.)

  • Let me celebrate with you! Tell me one good thing that’s happened with your writing this year. I love good news!
  • Ask a question.
  • Leave your favorite writing tip.
  • Or, just say, “Hi!”

As Always, It’s Easy to Stay Connected

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Celebrate 400: Best of Revision Notes

revision April 28th, 2008

Last week, marked the 400th posting and one-year mark for the Revision Notes blog.

To celebrate, watch for these “400″ postings this week

Best of Revision Notes

Did you find another posting to be your favorite? Use the Search function to find it and leave a note about it in the Comments!

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5 Tips on Revising with Editors

revision April 25th, 2008

Hurrah! You’ve got a contract for that novel or picturebook, and now, you receive a revision letter.

What? A revision letter after the contract? Yes. While the stoy is great and the editor loves it, there are probably minor things to take care of at this point.

Revising with an Editor

  • Relax and enjoy the process. Revising with an editor is way more fun than revising on spec. You are assured that the editor loves your story; after all, they’ve paid up front for this privelege of revising with you. Work with confidence that these are only minor problems, and will be easily worked out.
  • Address every concern. Editors don’t have time to ask you to do the same thing three times. Get out a red pen and check off every concern as you address it. When you think you’ve finished, go back and check everything once more.
  • Communicate. Not sure you understand an editor’s concern? Talk to your editor. You have a working relationship now and it’s OK to call or email–as long as you don’t over do it. Ask questions, explore ramifications of his/her suggestions, gossip about your characters–talk to your editor about any and all concerns you have. Can you disagree? Yes. What you can’t do is ignore a concern. Talk!
  • Go to the Heart of the editor’s comments. Just as when you revise on spec, you should look beyond a specific suggestion to the heart of what they are suggesting.
  • Meet deadlines. Be a pro and meet every deadline you’re given; or, at least let the editor know when difficulties arise. If you have a sudden family illness, the story takes a surprising turn, or your computer crashes, editors are understanding and deadlines can be fudged a bit. But you must let the editor know what is going on. Otherwise, meet your deadline–every time.
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5 Tips for Revising on Spec

revision April 24th, 2008

You’ve just gotten an exciting email or letter–an editor has suggested revisions to your story.

Revising on Spec

Unless the editor is backing up this suggested revision with a contract, you will be revising “on spec,” on the speculation that this suggested change will bring the story up to a level where a contract can be offered.

This is tricky business. Should you spend the time doing the revisions, when there is no guarantee of a sale?

First, probably 90% of manuscripts revised on spec are rejected. However, you have to get HERE to get THERE. Unless you revise, it is guaranteed, you won’t get a contract. So, how to proceed?

  • Take the time to re-read the suggested changes. Do you agree with the changes? Or will this change take the story off in a direction you didn’t want? Perhaps, the changes are unexpected, but interesting and perhaps, exciting? Evaluate carefully if the editor understood your intent and direction; if they are suggesting a different intent and direction, is it one that you can live with?
  • Think about the heart of the suggested changes. If you merely do the “letter of the revision,” you’ll be in the 90% that gets rejected. Guaranteed. You must think hard about the heart of the editorial suggestions. The editor may or may not understand HOW TO FIX a problem, but they may have hit upon the very thing that needs work. YOU must decide how to fix it and the editor won’t care if you did it his/her way; they only care that you did it. (Really. Trust me on this one. If this has happened to you, please add a comment with details of your experience!) What is the editor really saying about your story?
  • Re-read the story before and after the revisions. What has changed? Do you like the changes? Did the suggested changes bring up other problems? If so, resolve that, too. Don’t send back a mss until YOU are satisfied with it.
  • Take your time. Sigh. This is the hardest thing to do, isn’t it? You’re excited and you want to get this done, sent back and sign that contract. But it’s essential to slow yourself down as much as you can. Make yourself wait until the critique group meets in two weeks and take it to that. Anything. You have only one shot to get it right. Take time–however you have to trick youself–to do it right.
  • Send it and forget it. When you finally send it off, then forget it. Move on to the next project, or pick up the project you put off to do these revisions. 90% of these revisions on spec are ultimately rejected; but, by the way, the editor has just made your story better and it may hit the NEXT editor as simply fantastic. And, by the way, 10% ARE accepted after revisions. Either way, 90% or 10%, your job is to do your job, your way, which means–get back to work.

As Always, It’s Easy to Stay Connected

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May/June Novel Revision Online Class

revision April 14th, 2008

Congratulations! You’ve finished a novel.
What an accomplishment! Now what?
Now, you need a passionate, in-depth guide to revision.

Why Revise?
Before revision: Nice Story
After revision: Richer, deeper–the novel of your dreams.

How to Revise?
The online Novel Revision Workshop

Novice or Seasoned. . . For aspiring novelists, mid-list novelists who want to break out, novelists who want to self-publish–successfully, writers who have completed NaNoWriMo but don’t know what to do next, and writing critique groups looking for a way to help each other to the next level.

DEADLINE FOR REGISTERING FOR MAY/JUNE CLASS: April 25.

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Difficult Topics for Young Audiences

characters, revision March 31st, 2008

So, I’ve been reading Inviting the Wolf In: Thinking About Difficult Stories by Loren Niemi and Elizabeth Ellis, a book about writing difficult stories. In one of the last chapters, they discuss a story’s emotional arc story, but they mean something slightly different by that term.

Character’s Emotional Arc

Usually, I think of the emotional arc of a story as the main character’s emotional arc, how events impact the MC, where the MC starts emotionally and how the story’s events move them to a different place. In other words, it’s the arc of the MC’s internal conflict.

Reader’s Emotional Arc

Niemi and Ellis, though, are discussing the emotional arc of the audience, as they listen to or read the story. They make the point that this is a different thing. For example, if the MC is Hitler and he’s just learned that he’s successfully executed 1000 Jews, his emotions might be pleasure at his success. But the audience’s emotions will be horror at his callous attitude.

Of course, I’ve thought about and talked about this issue before: what do you want your readers to think or feel at this point in the story. But Niemi and Ellis brought it to the forefront and in the context of difficult stories, they say the audience’s emotional arc is very important.

Do you want to write about a teenager’s rape? Then, what do you want the audience to feel at that point? Outrage? Do you want them to walk through the actual feelings of the victim? For some audiences, that might work, but for middle grade kids, you probably don’t want them to feel the specifics of that event. What would be appropriate?

Shape the Reader’s Experience

I’ve no answers. It’s just that the intersection of audience and the emotional response you want the listener/reader to feel is an important issue. Especially when you write about a difficult topic for a young audience. You must shape the material to let the audience glimpse the emotional difficulties, yet not be overwhelmed by it. It’s a fine line to walk.

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